![]() ![]() ![]() While some colorists come from a visual effects background and are very familiar with keyframing through their use of Adobe After Effects or other similar software, many colorists are former (or current) editors. However, so many colorists (especially more amateur ones) are manually adjusting their keyframes and spending far too much time adjusting them than they need to. and there’s no denying that keyframes are a very necessary part of the process for any Resolve colorist. You might be using keyframes to make basic adjustments with your grade or to shift around your power windows, adjust masks, etc. If you’re working DaVinci Resolve, then chances are you’re key framing on a daily basis. However, DaVinci has one tool that can make keyframing your footage a whole lot easier. Blur tab to emulate focus/blur on a video.For most colorists, keyframing isn’t the most enjoyable part of the coloring process.Inverting windows/nodes to create vignette.An explanation of the node based workflow. ![]() Referencing to an already edited (and not colour graded) ‘offline video’.A brief overview covering some basic footage organisation and import tips for DaVinci.Comparing shots to a ‘master reference shot’ and matching to the Master shot.Adjusting shadows, mid tones and highlights using black and white.An example of how to match the colours using vector scopes and wave forms.Introducing colour correcting and colour grading.This colour correction course can be followed using the free version of DaVinci Resolve. DaVinci Resolve is available for free in a Lite form or as a paid package. Rob uses the DaVinci Resolve software package from Blackmagic Design which is an industry standard post production application. This is an eight part course, which starts off with the basics of colour correction and moves on to advanced techniques such as motion tracking and colour keying. Rob Bessette, a professional colourist from Boston, MA joins you for this colour grading and colour correction course. ![]()
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